Grip & lighting North Carolina would likely made you think of the last time you watched a movie or television program and look at the long list of credits. Most likely the word grip flashed on the screen, along with much more grips and so on. If you’ve ever asked yourself what a grip actually does, well it is not that glamorous, but it is a job in which many generations of working families in Hollywood have supported themselves on for nearly a hundred years. A grip is really a handyman who sets up lighting equipment, sound boards, electrical systems, wardrobe and props.
The job responsibilities of a grip began in the 1920s when Hollywood first began to churn out film after film. Day labourers at one point would camp out in front of the studio lots searching for work. The ones that were chosen were sent to the train depot to get baggage for the actors and help them bring it back to the studio. The word grip was a kind of a slang word used to refer to the luggage. After the movie labour unions developed, they kept the slang word and then started referring to the grunt workers grips. Today a film-set staff transporting electrical cords around the back lot or moving mini-skirts on a rack is called a grip.
The grip arrives on the set very early and leaves late, 1st one in and last one to leave. A grip assists the director of photography and helps him to get the lighting perfectly before the cameras role. Besides being there for the director of photography, a grip is also expected to load and unload equipment from the shooting location and fix broken parts as needed. A grip has to be physically strong, ingenious and always willing to help out. He should also work nicely with other people and have some sense of social manners, particularly when the director, producer or actors are on set.
The best way to be a grip is to network with individuals in the industry. Search for non-union work at first, like a student film, then join the IATSE Local 80. The Local 80 has numerous job listings that it gives only with members. There are no academic requirements to be a grip, but membership in IATSE Local 80 is necessary to work on the major studio sets.
The starting salary of Grip & lighting North Carolina for a professional grip was $29.03 per hour for IATSE Local 80 members. Many grips work over forty hours per week and receive time-and-a-half for overtime. In the Uk, Australia and most parts of Europe, grips are not involved in lighting. In the British System, a grip is exclusively in charge of camera mounting as well as support. The term ‘grip’ goes back to the early period of the circus. Then it was utilized in vaudeville and then in the modern film sound stages as well as sets. Some have suggested the name comes from the 1930s-40s slang term for a tool bag or “grip” that these technicians use to bring their equipment to work.
Although not as glamorous as many other film work, a grip & lighting North Carolina works behind the scenes moving equipment and managing lights. A grip and lighting North Carolina also ensures that all the necessary equipment work correctly to get the best shots and give the film the setting the director wants.